By Tzachi Zamir
The publication engages questions of theatrical suggestion, the actor’s “energy,” the adaptation among appearing and pretending, the distinct position of repetition as a part of reside appearing, the viewers and its appeal to appearing, and the original value of the actor’s voice. It examines the embodied nature of the actor’s animation of a fiction, the breakdown of the excellence among what one acts and who one is, and the transition from what one plays into who one is, growing an interdisciplinary meditation at the courting among lifestyles and acting.
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